That line from Merle Travis’ “Dark as a Dungeon” struck me as our bus wound its way through the Cascade Mountain foothills above the Yakima River and Iron Horse Trail. Our tour guide, Kevin Kane of SHKS Architects had distributed the lyrics to some coal mining folk songs, when magically, musicians appeared in the back of the bus and began to play. We sang along. We were headed to the historic towns of Roslyn, and Cle Elum. Coal hasn't been mined in Roslyn since 1963, and I know little of the mining life. But I do understand that which can “seep in your soul”, and for a moment, I understood a little better the plight of those in our remaining coal towns, struggling to come to grips with the loss of a way of life.
RevitalizeWA Preservation and Main Street Conference
RevitalizeWA Preservation and Main Street Conference, Chelan, Washington.
I recently attended and photographed the RevitalizeWA Preservation and Main Street Conference, sponsored by the Washington Trust for Historic Preservation and Department of Archaeology & Historic Preservation. This year’s conference was held in Chelan, and included a visit to Waterville. Highlights of the downtown Chelan tour included the oldest permanent structure in town, St. Andrew’s Episcopal Church, the Chelan library (a converted Masonic Temple), and the Ruby Theatre, owned and operated by Larry Hibbard and his wife Mary Murphy.
Although the Ruby is over 100 years old, it is remarkably intact due to a lack of major structural renovations over the years, which lent it to being placed on the National Register of Historic Places in 1991. It was not Chelan’s first movie theatre however. That distinction belongs to the defunct Gem Theatre, which, as a predecessor to modern theater design had only benches for seats and a flat floor. When built in 1914, the Ruby introduced such modern innovations as sloped seating, a projection room, and central heating.
We take for granted a visit to the concession stand when we go to the movies today, but they were not always part of the show. The nickelodeons that were popular between 1905 and 1915 did not have concessions, but one could purchase popcorn from a vendor working the aisles, or from a snack shop outside the theater. Neither did the more lavish movie palaces that replaced the nickelodeons feature concessions, snacks being considered antithetical to the posh vibe of the movie-going experience. It wasn’t until the 1930’s, with the advent of more modestly built movie houses that the concession stand as we know it today became an integral design element of the movie theater.
Post nickelodeon era projection rooms were necessitated out of concern for fire safety due to the combustible combination of nitrate motion picture film (celluloid) passing through the projector in close proximity to carbon arc lamps that could burn at extremely high temperatures. Fires, such as that depicted in the 1988 film Cinema Paradiso, were not uncommon. Due to its flammability and tendency to degrade over time, celluloid based film stocks were gradually phased out and eventually replaced with acetate (safety film) by 1952.
The Nifty Theatre is adorned with a barn quilt as part of a countywide all-volunteer project coordinated by Barn Quilts of Douglas County. Each unique quilt pattern, painted on signboards and affixed to barns and houses, reflects a personalized family design. The project aims to honor Douglas County heritage, beautify the landscape, and help boost tourism.
During my stay in Chelan, it became apparent that there existed among the townspeople a laudable, yet indefinable “calmness of spirit” which beckoned my contemplation. Upon reflection, my belief is that the mettle vitally called forth to confront the Reach Fire, which had burned its way down Chelan Butte to the town’s edge only last August and left this rural community without power or communications for a week, had also left these townsfolk with a trade-off, which I would admirably call: “perspective”.